
The oldest choir festival in Poland, held continuously since 1966
The Birth of the Festival – A Song in Times of Change
In 1966, during the Polish People's Republic, when culture was strictly subordinated to the state, an idea was born that lasted for decades – the Międzyzdroje Choral Song Festival. At that time, choral singing was held in special esteem: it was accessible, collective, educational – it perfectly fit the ideological expectations of the system. Choirs functioned almost everywhere – in schools, factories, the army and parishes – singing both folk and patriotic songs, as well as the socialist anthems of the new order.
The year 1966 also brought a unique symbolic context – on the one hand, the Millennium of the Polish State celebrated by the authorities of the Polish People's Republic, on the other – the Millennium of the Baptism of Poland celebrated by the Catholic Church. Choirs participated in both of these celebrations – sometimes as a tool of propaganda, other times as a space of spiritual resistance and cultivating identity.
It was then, as part of the Szczecin Friendship Rally – also known as the Slavic Choir Rally on the occasion of the 1000th anniversary of Poland on the Oder and the Baltic Sea – that the event that initiated the festival tradition took place. It was organized by the Szczecin branch of the Union of Polish Singing and Instrumental Ensembles and the Railway Workers' Union Choir "Hejnał", celebrating its 20th anniversary.
The event was also intended to commemorate the 25th anniversary of the death of Feliks Nowowiejski – an outstanding composer associated with Western Pomerania. His works, such as "Hymn o Bałtyku" or "Legenda Bałtyku", became a musical bridge connecting the national tradition with the maritime region, which from then on became forever associated with choral sound.
On 18–26 June 1966, exceptional choral concerts were held in the Szczecin Philharmonic Hall and in Międzyzdroje, in the band shell and the Spa House Hall.
Four teams from Poland performed:
-
The Academic Choir of the Szczecin University of Technology
-
Szczecin Boys' Choir "Nightingales"
-
Mixed Choir of ZZK "Hejnał" from Szczecin
-
The Male Choir of the Singing Society "Harfa" from Warsaw
and three foreign teams:
-
The Mixed Choir of the Railway Rolling Stock Repair Plants "Lokomotiv" from Bulgaria
-
Choir of Slovak Teachers from Czechoslovakia
-
Mixed Choir "Glasbena Matica" from Yugoslavia
The event was enthusiastically received by the public and the press. As "Kurier Szczeciński" wrote (June 29, 1966):
The meeting of Slavic choirs on the occasion of the 1000th anniversary of Poland on the Oder and the Baltic Sea became a beautiful accent of the Szczecin summer. The residents of Szczecin and Międzyzdroje do not often have the opportunity to listen to such excellent choral music. /…/ Let us emphasize the good organization of these musical meetings and the great binding word of editor Zbigniew Pawlicki…
The idea of continuing these meetings in the form of a festival soon emerged. As reported by "Życie Śpiewacze" (No. 10 of 1966):
The intended goals were fully achieved, /…/ individual groups immediately declared their participation in the next meetings, which in their opinion should be organized annually. /…/ it should be recognized that this serious cultural event serving to popularize the singing movement in Western Pomerania has fully passed its life test
…it became obvious that the Szczecin meeting is a sensible and necessary event. And that – what’s more – it should be a permanent event. Repeated every year or maybe every two years.
Since then, the event has been continued under the name of the Międzyzdroje Choral Song Festival.

The first two editions of the Festival took place without a jury, points or awards – what mattered was the pure joy of singing and presenting the choirs to the audience. In time, however, the need to honour exceptional performances arose. And so in 1968 the Trygław Statuette was born – the first festival distinction. In subsequent years, it was joined by, among others, the Golden Lyre and the Amber Amphora.
The first years of the festival - the foundations of tradition
1967 – 2nd Festival
The first Artistic Council of the Festival was elected, consisting of:
Chairman Prof. Edmund Maćkowiak,
Members: Jan Szyrocki and Zbigniew Pawlicki and Halina Ziętal as secretary.
1968 – 3rd Festival
Introduction of the first distinction in the form of the "Trygław Statuette".
The Trygław Prize designed by the sculptor Ryszard Chachulski was awarded to Unge Akademikeres Kor from Copenhagen, conducted by Niels Moller, and the Academic Choir of the Szczecin University of Technology, conducted by Jan Szyrocki.
The events were accompanied by:
- seminars for conductors,
- music poster exhibition,
- a series of lectures entitled “conversations about music” with the participation of critics, writers and professors.
1969 – 4th Festival
The Stanisław Wiechowicz Composer's Competition for a choral song was announced, the aim of which was to enrich the repertoire of subsequent editions of the festival.
The 4th Festival initiated the tradition of the so-called “choral serenades” – short performances taking place in various parts of the city – a tradition that has survived to this day.
The Golden Lyre award was added to the awards granted to Polish choirs for promoting Polish music outside the country. The first Golden Lyre award was given to the Mixed Choir "Hutnik" from Trzyniec, conducted by Karol Wronka.
In the first years of the Międzyzdroje Choral Song Festival, they struggled with organizational challenges – primarily the lack of adequate accommodation for the participants.
In 1972, the Międzyzdroje Enthusiasts Society proposed a bold idea: building a House of Song. The idea seemed distant... and yet!
Already during the 9th Festival, the choirs were guests in the newly constructed facility, which was eventually named the House of Creative Work. Since then, it has become the center of festival life, although the needs still exceeded the possibilities. The House of Creative Work was located near the train station, but it did not survive to this day.

1977 – 12th Festival
The first Composition Workshop was organised – a space for creative meetings of composers, conductors and choristers.
1978 – 13th Festival
A permanent artistic commission was introduced, chaired by the director of the Main Board of the Polish Association of Choirs and Orchestras.
1979 – 14th Festival
Since this edition, seminars for conductors have been led by Prof. Józef Bok.
1981 – 16th Festival
2nd Stanisław Wiechowicz Composers' Competition.
1983 – 18th Festival
The birth of the mixed choir competition. Over time, mixed choirs almost dominated the Festival, reflecting a general trend in both Polish and world choral music.
3rd Stanisław Wiechowicz Composers' Competition.
1985 – 20th Festival
Beginning of awarding teams with medals: gold, silver and bronze.
1986 – XXI Festival
Jolanta Bartczak joins the organizing team on behalf of PZCHiO ZG Branch in Szczecin.
1988 – 23rd Festival
Teresa Dziemianko joins the organizing team.
1990 – 25th Anniversary Festival
Due to the anniversary nature, there were no prizes or competitions. Winners of previous festivals were invited to participate.
4th Stanisław Wiechowicz Composer's Competition. At that time, the festival's organizational team consisted of:
-
Organizational Director Mariusz Czarnecki
-
Office Manager Teresa Dziemianko
-
Quartermaster Wiesława Matusik
In 1998, Halina Ziętal resigned from her organizational function. In 2001, Zbigniew Pawlicki ended his management of the festival. They passed the functions to a new generation of organizers. In 1999, Jolanta Bartczak took over as the Organizational Director. In 2001, Piotr Szulc joined as the Festival Director and master of ceremonies.
The festival gains a new formula – the "Musica Sacra" competition is introduced, which is held to this day in the church of St. Peter the Apostle. A great advocate of this competition was Father Dr. Marian Wittlieb, the parish priest, who became the founder of the Grand Prix Amber Halo of St. Peter the Apostle.

FOUNDER OF THE FESTIVAL
PROFESSOR JAN SZYROCKI
Master of Choral Conducting, Teacher of Generations, Creator of Artistic Ideas.
Professor Jan Szyrocki was an extraordinary figure in both Polish and international choral music. An engineer by education and a musician by vocation, he devoted his entire life to working with choirs, transforming them into ensembles of the highest artistic caliber. As a charismatic conductor and educator, he had a profound impact on the development of academic choral culture in Poland. He was not only an outstanding interpreter of music, but also an organizer of musical life, a mentor, and a respected authority in the community of conductors. He was distinguished by a rare ability to combine discipline with passion, knowledge with intuition, and emotion with musical precision.
He was the founder and conductor of the Academic Choir of the Szczecin University of Technology (1952–2003) – one of the most highly acclaimed choirs in Poland. Since 1965, he served as president of the Szczecin Branch of the Polish Association of Choirs and Orchestras. A professor at the Academy of Music in Poznań, he taught choral conducting and educated generations of conductors and musicians. He was awarded an honorary doctorate from the Academy of Music in Bydgoszcz in recognition of his outstanding contributions to Polish choral music.
Professor Jan Szyrocki founded the International Festival of Choral Song in Międzyzdroje and served as its artistic director, remaining true to his mission until his final days. Thanks to his authority and dedication, the festival gained international recognition, attracting choirs from around the world and becoming one of the most important choral music events in Europe.
From 2004 to 2006, the role of artistic director was held by Prof. Richard Zielinski (USA). Since 2006, this position has been held by Prof. Dariusz Dyczewski – an outstanding choral conductor and a prominent promoter of musical life.

The Festival Today: A Living Tradition
The festival continues to grow and evolve. Each year, it brings together a dozen or more choirs from Poland and around the world. The organizers emphasize high artistic standards, international cooperation, and the promotion of Polish music.
Starting with the 58th edition, a new award for Best Conductor was introduced. The statuette, designed by Jan Szyrocki’s daughter, Renata, is identical to the monument located in F. Chopin Park in Międzyzdroje, near the International House of Culture.
While maintaining its classical competition format, the festival is also open to new genres, contemporary compositions, and emerging composers. It is widely regarded as one of the most important choral events in Central Europe.
The International Festival of Choral Song named after Prof. Jan Szyrocki in Międzyzdroje is one of six prestigious and oldest qualifying festivals for the Grand Prix of Polish Choral Music named after Stefan Stuligrosz—a national final for the country’s top choirs, held since 2018.
Winners of the Grand Prix in Międzyzdroje earn the opportunity to perform among the elite of Polish choral ensembles and to compete for the title of the best choir in Poland.

Six Decades of Singing Together – Thousands of Voices, Emotions, Ovations, and Friendships Beyond Borders.
We extend our heartfelt thanks to all who have been part of this extraordinary journey:
choirs, conductors, composers, organizers, partners, volunteers, and our cherished audience.
Międzyzdroje – where song finds its summer home.
Text & concept: Kacper Nowacki
ARTISTIC DIRECTOR
prof. dr hab. Darius Dyczewski
dariody@wp.pl
ORGANIZATIONAL DIRECTOR
Jolanta Bartczak
bartczakjolanta@wp.pl
FESTIVAL DIRECTOR
Piotr Szulc
biuro@piotrszulc.pl
ARTISTIC COUNCIL
prof. dr hab. Richard Handke
prof. dr hab. Darius Dyczewski
dr hab. Barbara Halec